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The fragmentations of the Balkan war and Brexit are never far from the surface in this confident, timely novel
“My writing often feels like a struggle to communicate some danger,” Olivia Sudjic says in her extended essay Exposure, the follow-up and postmortem to her debut novel, Sympathy. Her second, Asylum Road, is narrated by a young woman, Anya, whose detached observations of her own actions and inner monologue feel as if they are struggling to convey an underlying menace. Anya is neurotic, paranoid; she spends her nights arguing on the internet about Brexit: “It was not the specifics of opposing arguments that upset me, but that the things I held on to, which kept me from being sucked back into the past, were coming loose.”
Anya’s mother, suffering from Alzheimer’s, is trapped in the time of the siege, convinced they are still being shelled
This superb fictionalised account of the 1645 Essex witch trials, by an award-winning poet, resonate...
Katherine Angel’s thought-provoking book examines the limitations of the concept of consent, while ...
The prostitutes of Georgian London power this deeply satisfying follow-up to Shepherd-Robinson’s ac...
The second volume of Mosse’s wars of religion trilogy vividly depicts persecution and how politics ...
The Australian-American writer’s short fiction is full of precisely observed studies of thwarted co...
The restaurant critic’s funny and poignant account of life with her father and how it shaped her re...
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